Search results for "genre hybrid"
showing 4 items of 4 documents
Law of the Land: Shades of Nordic Noir in an Arctic Western
2020
Armoton maa (Law of the Land, Jussi Hiltunen, 2017) is a contemporary western set on a peripheral border region in western Lapland, Finland. Combining crime story and family drama, it is a complex case of genre hybridity. This chapter asks how Law of the Land adapts elements from Nordic noir and modifies the Lapland film, a mixture of films set in Lapland. The melancholy mood and the dark aesthetic links the film to Nordic noir, which has traveled to remote regions recently. However, Lapland can also be seen as a Finnish version of the Wild West. Law of the Land exemplifies both the mutation and vitality of Nordic noir as a style, demonstrating that it can be adapted by other genres, even b…
FASP médicale et substrat professionnel : le miroir éclaté
2010
Abstract The study of medical thrillers is a budding field of research within the genre of professionally-based fiction. These novels usually reflect the practices, the discourse, and the socio-cultural ways of the medical community. However, on reading the more recent novels, one has the feeling that the representation of professional reality is gradually giving way to the lure of the closely related thriller genre. In the same way, the image reflected is that of a more diversified professional reality, as the authors now draw their inspiration from professionally-based material borrowed from forensic and legal thrillers. This osmosis-induced evolution highlights the hybrid nature of the g…
Affective Estrangement and Ecological Destruction in TV Crime Series Fortitude
2020
Koistinen and Mäntymäki examine how graphic violence evokes affect in the context of ecological destruction in the UK-produced TV crime fiction series Fortitude (2015–17). They argue that the series mobilises generic exchange by incorporating speculative elements into a traditional crime narrative structure, thereby creating space for affective estrangement. They show how the amalgamation of violence, ecological destruction and affect serves as an entrance into socioecological critique with a strong cautionary element through the negotiation between the human and nonhuman and the ethics of violence. Theoretically, the chapter relies on Sara Ahmed’s view of affect as social processes produce…
From Mobile Crimes to Crimes of Mobility
2020
Piipponen, Mäntymäki and Rodi-Risberg suggest that many contemporary crime narratives across the globe host a heightened interest in diverse and ambiguous mobilities, border crossings and borderlands. They propose that such mobilities and crossings reflect on recent sociocultural developments on local and global levels and communicate specific geopolitical anxieties. They position their own mobilities research perspective within existing crime fiction scholarship, especially within the so-called transnational and spatial turns. Introducing some key observations of mobilities research, they suggest that mobility can be considered both as an object of study in its own right and a critical len…